Showing posts with label Romantic Suspense. Show all posts
Showing posts with label Romantic Suspense. Show all posts

Friday, September 12, 2014

Kirsten Mortensen on Writing as a Two Stage Process @Kirstenwriter #AmWriting #Romance #Suspense

 

Location and life experiences can really influence writing, tell us where you grew up and where you now live?
I grew up in a very rural community in the southeast central part of New York State. People from other parts of the country often think of New York City when they hear the words “New York,” but the fact is there are parts of the state that are sparsely populated and heavily wooded. Quite untamed. The last time I visited my childhood home, for example, a black bear crossed the yard and helped himself to breakfast in my dad’s blueberry patch. I had, in many respects, a quintessential “country mouse” childhood, hiking, camping, and fishing. It remains a big part of my identity. In my late 20s, I settled in a suburb of Rochester, New York, which is in the northwestern part of the state, and I’ve lived there ever since, although when my daughter graduates high school I’ll be starting a new chapter in my life on the west coast.

I’ve drawn on both my childhood and Rochester settings for my novels. Loose Dogs and When Libby Met the Fairies are set in Rochester. Can Job is set in a fictionalized version of Rochester called Borschester, New York. And Dark Chemistry is set in Amesbury, a fictional Central New York community that I modeled after a hamlet near the town where I grew up.

What is hardest – getting published, writing or marketing?

Marketing—by far! Not because the marketing itself is hard to do. It isn’t. First of all, I have a marketing background. And even if I didn’t, so many people—so many writers!—do marketing, and succeed at it, and share how they’ve succeeded. If you have a connection to the Internet plus any drive at all it’s not hard to do it yourself. What makes it the hardest of the three is that you have so little control over whether it delivers results. When I write, everything’s under my control: I pick the genre, I make the time, I decide when I’m happy with my work. By self-publishing, I bring publishing under my control: click a button and my novel’s published. But succeeding at marketing requires factors over which I have zero control to fall into line. You can do everything “right” and still experience lackluster sales. That’s a tough thing to have to accept.

If you could study any subject at university what would you pick?

I earned my degree in Comparative Literature, and it was a terrific experience. But I semi-regret that I didn’t go into some branch of biology instead. I have always loved animals and nature, and I would have loved to have been a naturalist—gone out into the woods to study plants or animals and report to the world what I’d discovered. But I have a lifelong math phobia (it started with a traumatic experience in second grade, but that’s a story for another day!) So when it was time to pick college majors, I veered away from the sciences. I often wonder if my life would have been different if I weren’t afraid of math.

How do you write – lap top, pen, paper, in bed, at a desk?
I have a two-stage process. First, I do a ton of preliminary work writing by hand in a notebook. I use little soft-cover notebooks, one per project, for this work, which is everything from character studies to drafting scenes. And if I run into a snag—say, a plot point doesn’t seem to make sense—I use the notebook almost like a journal. I’ll sit down and write out a question to myself: “why would this character want to do X?” Almost always, an answer will arise to my question. Or if not, I’ll put a sticky note to mark that page and come back to it.

Later, as a novel reaches completion, I use the same notebook to do things like keep track of characters’ names and to keep lists of things I need to do to finalize manuscripts.

I find handwriting in a notebook helps the writing process for me, probably because it gets me away from the computer—computers can introduce too many distractions, which are a huge problem, in particular, when I’ve hit a point in my novel draft where I’m not sure “what comes next.”

The novel draft itself, I create in Word on a computer. I have both a desktop and a laptop, and switch back and forth between them, depending on where I want to work in the house or whether I’m traveling.

How much sleep do you need to be your best?

I’m an eight-hour a day gal, although I can get by on 7 if I need to. It’s funny, though. When I was in my twenties I needed nine or more. Then I had a baby, and ever since, I’ve needed less sleep.

Tell us about your new book? What’s it about and why did you write it?
There are so many ways to answer that question! Dark Chemistry is a romantic suspense novel about a young woman who inherits a company when her father passes away. Unbeknownst to her, however, a couple of people working there have developed a type of synthetic chemical that can influence people emotionally and also sexually. You may have heard of pheromones: chemicals that animals use to pass signals to one another. The bad guys in Dark Chemistry use synthetic pheromones to do all kinds of evil things.

On another level, though, Dark Chemistry is about a woman—the heroine, Haley Dubose—who has to figure out two things. First, does she want to be like her mother or her father? This issue is complicated because she never really knew her father, and now he’s dead. But over the course of the book, she starts to learn what kind of man he was by the effect he had on people that did know him. The second thing she has to figure out is whether the physical attraction she feels toward one of the other characters in the book represents something that is genuine. And I don’t want to give too much away, but as I said, the evil men in the novel are using synthetic pheromones to manipulate people . . . so put two and two together and you can guess what poor Haley’s up against.

When you are not writing, how do you like to relax?
I love to read. I love to spend time with the people I love and my sweet dog. I work out at least twice a week—I’ve been strength training for a number of years, and I love how it makes me feel. And I’m a golfer. As long as the weather is halfway decent, I try to get out on the course at least once a week. Working out and golfing help keep me balanced, in fact, because as a writer so much of my world happens inside my head—it’s important for me to re-connect with my physical body on a regular basis!

Do you have any tips on how writers can relax?
Yes! “A change of work is rest.” What I mean by that is: if something you’re doing starts to become stale or tiring, do something completely different. From my own experience, as a writer, I spend a lot of time indoors, sitting or standing at my computer, with my mind going at a million miles an hour. So to relax, I do activities that are the exact opposite. Golf is one example. When you golf—especially if you walk the course, like I do—you’re outdoors, you’re moving around, and you’re trying to achieve a state of “quiet mind.” You’re trying to shut off the verbal chatter and just live quietly in the moment so that your body can make smooth, effective golf swings.

If golf doesn’t appeal to you, you could try another sport, or yoga, or go hiking, or go to a museum. Anything that gets you away from your workspace, that involves physically moving your body, and where you can switch off the verbal, wordy parts of your brain for a while.

What color represents your personality the most?
Green—absolutely. My eyes are green, and it’s been my favorite color since I was around six or seven years old. It’s got a lot to do with my love of the natural world. I grew up in a very rural area in the central part of New York State. I spent all my free time, as a kid, wandering in the forest behind my parents’ home, hiking, camping, fishing. Green, to me, represents everything that is most vital and important about being alive on this planet: the experience of being a physical human being on Planet Earth.

How do you think people perceive writers?
It depends on the person. Most of the time, if I tell someone I’m a writer, they act a little awestruck. Sometimes I get the feeling that people would like to “collect” me—they want to hang out with me because they like the idea of “knowing a writer.”

darkChemistry

A woman's worst nightmare

Drugged by something...that makes her think she's fallen in love.

All Haley Dubose has ever known is beaches and malls, clubs and cocktail dresses.

But now her father is dead.

And if she wants to inherit her father's fortune, she has to leave sunny Southern California
for a backwater little town near Syracuse, New York. She has to run RMB, the multimillion dollar
chemical company her father founded. And she has to run it well.


Keep RMB on track, and she'll be rich. Grow it, and she'll be even richer. But mess it up, and her inheritance will shrink away before she gets a chance to spend a dime.

Donavon Todde is her true love. But is it too late?

He's RMB's head of sales – and the more Donavon sees of Haley, the more he's smitten.
Sure, she comes across at first as naïve and superficial. But Donavon knew Haley's father. He can see the man's better qualities stirring to life in her eyes. And Donavon senses something else: Haley's father left her a legacy more important than money. He left her the chance to discover her true self.

Donavon has demons of his own.
 
He's reeling from a heartbreak that's taking far too long to heal. But he's captivated by this blond Californian, and not only because of her beauty. It's chemistry. They're right for each other. But has Donavon waited too long to woo this woman of his dreams? Because to his horror, his beautiful Haley falls under another spell. Gerad's spell.

A web of evil.

Gerad Picket was second-in-command at RMB when Haley's father was alive. And with Haley on the scene, he's in charge of her training. But there are things about RMB that Gerad doesn't want Haley to know.

And he must control her. Any way he can.

Romantic suspense for your Kindle

Will Haley realize that her feelings are not her TRUE feelings?
Does Donavon have the strength left to fight for the woman he loves?
Will the two of them uncover Gerad's plot to use RMB pheromones to enslave the world?
And even if they do – can they stop it?

Buy Now @ Amazon & Smashwords
Genre – Romantic suspense
Rating – PG-13
More details about the author
Connect with Kirsten Mortensen through Facebook & Twitter

Monday, February 17, 2014

C.A. Szarek and Susan Sheehey's #WriteTip for Choosing the Right Writers’ Conference @caszarek

So you want to attend a writers’ conference? First time? Even BETTER!
There are so many great ones out there. Before you make any decisions, make sure you do your research, talk to others that have gone; listen to what they might have to say.
Most conferences have their agenda listed with plenty of time to review it beforehand. Read over it carefully so you can plan your conference experience.
What do you want to accomplish? This is important to decide, because if you’re there just to socialize, you’re not maximizing the resources writers’ conferences offer. Of course, there’s nothing wrong with meeting other authors, but it probably wouldn’t be beneficial if this is your main attendance goal.
Authors attend conferences for many reasons, but here are a few main benefits that draw people.
*Pitching: This is a fantastic opportunity that is rather unique to writers’ conferences. Personal, face-to-face contact with editors and agents who want to give you a shot. Believe it or not, they attend conferences for some of the same reasons authors do, but the positive thing here is these particular editors and agents make time because they are actively seeking quality work.  No waiting on that pesky email.
Sometimes these are what we would consider big deal editors from the coveted New York Houses that you don’t get into without an agent. This is a major benefit of a conference. On the same token, agents are not always easy to gain. Speaking to one face to face, whether from a big agency or not is a great opportunity. You can make an impression so they remember you, even if your current project isn’t for them.
This alone can be a great reason to attend a conference. But make sure you research well. Some conferences charge extra for this perk, and some don’t.
If you’re a conference virgin, even the thought could have you shaking in your boots, but don’t. Editors and agents are people, too. They enjoy talking to you. Just think of it like this: You can practice your pitch all you want, but if it’s not natural, it can lose appeal even if your words are awesome. So speak to an editor or agent as if you’re telling your best friend about your book. No one knows the book better than you do.
Don’t let nerves make you miss out on this conference-unique opportunity.
*Workshops: Most conferences have a variety of sessions that cover everything from craft to marketing. What the conferences offer can also be a deciding factor in which conference you choose. No matter what stage you’re at in your career, whether you’re pre-published or have several books out there, you never stop learning as an author. The more you write, the better you get.
So, look at the agenda (most, if not all, will have it available beforehand) and see which would benefit you. Workshops can be a great reason to attend a conference. 
*Book Signings: A perk of many a conference is a book signing that’s open to the public. Hopefully this won’t be your only reason for attending a conference, but it can be a nice experience as well. You can get your name and your book(s) out to other authors as well as the general public.
If you are going to take part in a signing at a conference, ask questions. Will they have a sponsor? Will you have to be your own cashier for the books you sell? Will sales benefit a charity? (This is very common at conference book signings) and research what turnout they usually have, if the conference is annual so you can plan the number of books and swag you need to bring.
*Networking: Another awesome reason for attending a conference! Read the brochure/agenda to see what headliners will be at the conference of your choice. Then, make it a point to speak to these people. Yes, you really can talk to famous authors! Just like editors and agents, they’re people, too! You never know what kind of friends you could make—for life.
Let your inner social butterfly can come out and shine! It pays to talk to people. Writing, like any other industry can depend on who you know. So make some contacts! Get business cards and keep them handy.
Other authors, editors, agents, you never know who can be around the corner, at a meal, even hanging out in the lobby at the conference. Make use of free time by being observant. Read name badges. Don’t be afraid to ask other authors what they write. And remember, when someone asks what you write—they really do want to know.
You could end up with a fantastic critique partner or some awesome new reads.
Other factors to consider in choosing which writer’s conferences to attend are:
*Genre Specific: Make sure you pick a conference that includes the genre in which you write. If your stories are mainly thriller or science fiction, then attending a romance based conference won’t be as helpful. There are plenty of conferences that are more specific to a particular genre that gears many of their workshops and key speakers to that genre. Pay close attention to those. But of course don’t completely disregard the broader conferences like the Writer’s Digest Conference (http://www.writersdigestconference.com/ehome/index.php?eventid=61986&), where many big editors and agents always attend looking for new talent to add to their lineup.
*Budget: How much can you spend in a given year on these conferences? Between registration fees, airfare, hotels, food, books, contests, and other miscellaneous items, the endeavor can get expensive. The best conferences are those that do not charge extra for pitch sessions, specific workshops or even parking. Make sure you choose one that has all of those included (unless you don’t plan to pitch your manuscript).  Another tip is to choose conferences that are geographically close, saving you the cost of airfare and/or hotel. Or if you have several friends all attending, split the costs by sharing a hotel room and make a road trip out of it. Most conferences also offer an ‘early-bird’ rate, so book early if you can. Some conferences also give out ‘scholarships’ to help ease the cost to a few individuals who present a financial or business need.
*Workshops: Make sure you review the list of workshops presented, and who is presenting them. The best conferences are packed with exceptional workshops on a variety of topics, on improving craft, managing your business, and industry trends. Workshops that will be relevant to where you are in your career. You shouldn’t have any ‘free’ blocks in your schedule. There should be so many interesting classes you just have to attend, how can you possibly choose between them. Research the presenters as well: are they experienced in what they’re presenting? Have they given it the presentation before and have others found it helpful?
*Attendings Agents/Editors/Authors: If you’re pitching a novel or just want to meet the experts in the industry, make sure the ones you’re really interested in plan on attending. Conferences will always list the names of presenting authors, agents and editors on their websites in advance, especially those that will accept pitches. They often include the kinds of things the experts are actively looking for. So research the editors and agents attending and see if they cover your topic/genre. If you’re spending this much money, make sure it’s worth your while. www.querytracker.net
Conference Etiquette
Dress appropriately. No one is asking you to wear an uncomfortable suit or dress or three-inch heels for an entire day of workshops, presentations and pitch sessions. But be professional. Don’t show up in ratty jeans, tank top and flip flops.
Don’t stalk agents/editors in the bathroom or just before they present. They are clearly focused on other things and they won’t give you their full attention. And it’ll annoy the hell out of them, and that’s not the kind of impression you want to leave.
Networking is a must, but monopolizing conversations with constant reminders of what you’re story is about is a turnoff. Give others a chance to talk, and LISTEN.
What to Bring
Business cards with your email address and contact info www.vistaprint.com
Notepad or Notebook and a good pen
Synopsis/Query Letter http://blog.nathanbransford.com/2010/08/how-to-write-query-letter.html
A prepped 1-line ‘elevator pitch’ of your story. http://blog.nathanbransford.com/2010/05/how-to-write-one-sentence-pitch.html
A small messenger bag to carry the ‘goodies’ you’ll get
Cash- for buying books, the cash bar, raffles, tips for housekeeping
Light Jacket/Sweater- you never know how powerful the air conditioner will be
Extra Luggage Bag- to cart home the extra books and stuff you’ll get (if you’re flying, and if you don’t leave extra space in your original bag)
Snacks- if you’re staying at the hotel overnight, do you really want to pay hotel prices for a bag of chips or granola bars?
What to Leave
Laptop (leave it in the hotel room)
A copy of your full manuscript. If agents ask for it, they all prefer email. (Why would you want to cart around that extra weight, anyway?)
Shy or Wallflower Tendencies- this will kill your experience at conferences, and the whole point is to network and meet people who will help advance your career and/or skills
chanceCollision

Crossing Forces series:

Small Town Texas doesn't always mean small time crime.
Welcome to Antioch, population fifty thousand.
With a police department full of detectives and officers who are good at what they do, throw in the occasional FBI agent, and the bad guy doesn't have a shot, no matter how big the crime.
They work together and fight together. Relationships will be forged and changed along the twists and turns.
When fate intervenes, love and happiness can be found in unlikely places.

Crossing Forces by C.A. Szarek

This is book two in the Crossing Forces series
Vowing to protect her had nothing to do with feelings.
Detective Pete Crane catches a new shooting case and considers it business-as-usual. But when the lead witness is the Chief of Police’s fiery assistant, he never anticipated she’d challenge him—personally and professionally. Especially while under his protection.
Little do they know, the shooting she and her grandmother witnessed was anything but random.
Thrown together, their attraction sizzles, even though she’s squarely in the no-fly zone. She makes him break every rule in his little black book.
Nikki Harper has been attracted to Pete since they met two years ago. Witnessing a brutal shooting throws her into a stigma that’s always been her greatest fear—a victim. She has no choice but to accept his protective custody and let him help save her and her beloved grandmother.
Can Pete protect his witness and solve the case, while fighting the intense heat with Nikki?
Buy Now @ Amazon US | Amazon UK | Amazon CA | Totally Bound | ARe | Sony | Kobo | Barnes&Noble
Genre – Romantic Suspense
Rating – R
More details about the author
Connect with C.A. Szarek on Facebook & Twitter