Monday, November 4, 2013

Ten More Things You Didn’t Know About Regan Black and Bulletproof: – Regan Black @ReganBlack

Ten More Things You Didn’t Know About Regan Black and Bulletproof:

Hello! Let me first offer a special thanks to Orangeberry Book Tours for making this happen today. It’s a pleasure to be here as part of the Bulletproof book tour!

As an author of paranormal romantic suspense novels who’s been around social networks for several years, it feels like everything there is to know is out there already. But I set my mind to it and came up with a few additional highlights:

1. I love to bake, but I hate planning regular meals.

2. Bulletproof was in the ‘someday’ file for over five years.

3. I play Triple Town on my phone with my first cup of coffee in the morning. (Warning: This free game app is highly addictive!)

4. Amelia Bennett, the redheaded reporter in Bulletproof, shares a few personality quirks with one of my redheaded friends.

5. Sometimes a spoonful of peanut butter counts as second breakfast. (I never claimed I was normal.)

6. John Noble, the sexy, wounded hero of Bulletproof, has one of the most complex backstories I’ve ever tackled.

7. My critique partners laughed – hysterically – when they heard I was teaching an online class a few years back that involved a segment on writing a synopsis. (Hey, those who can’t, teach, right?)

8. Writing Bulletproof scared me more than writing any of my previous novels, but I’m so glad I kept going anyway.

9. One of the things on my bucket list is a hot air balloon ride.

10. I’ve spent more than a little writing time staring at the model for the Bulletproof cover. (Shh, don’t tell my husband.)

Bonus round: I’m usually terrible with titles. Without friends like Debra Webb, Nikki McCarver, Inge Crawford, and Caren Crane, most of my books would be stuck with the names of the lead characters for titles. There’s a good reason why the adventures in the Unknown Identities series are titled with the hero’s codename like Bulletproof and Double Vision.

Now if you connect with me on twitter or Facebook, you’ll have the inside track on Regan trivia and that will make it more fun for all of us!

Live the adventure!

Regan

Bulletproof

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Genre - Romantic Suspense

Rating – R

More details about the author and the book

Connect with  Regan Black on Facebook & Twitter

Website http://www.reganblack.com

Sunday, November 3, 2013

Massimo Marino – Telling vs. Showing @Massim0Marin0 #SciFi

Do not tell. How Homer describes Helen of Troy? Hers, he said, was “the face that launched a thousand ships.” See, no details! and yet, even today, Helen of Troy is fabled as one of the most beautiful women in the world, all ages confounded.

Show, do not tell, also means that you have to leave out most and highlight only some. This makes the reader become part of the story, filling the gaps in his mind. Descriptions are not ‘pictures’ of a scene, an object, a place, or a character.

Tolstoy said, “Don’t tell me the moon is shining; show me the glint of light on broken glass”

A writer needs to know the rules, so to know when he’s breaking them, but “Show, do not tell” is not one to break.

Note though, everything is said about good story telling, use of proper evocative language, strong active verbs and avoid passive, and other rules, can be broken in dialogues. Characters are not the writer, and they need to ‘speak’ the way everyday people do, and in the spoken language, oh my, we often, more than seldom, happily use and share joyfully all the -ly words in the mighty world

In dialogues the rule is to be true to the character’s voice, not the writer’s voice. Thank the Lord, in dialogues we can break the “rules” freely  and speak “plainly“.

It also depends on the POV. If you are writing in the character’s POV: “She looks exhausted”, Julia thought.

is “perfectly” expressed and “rightly so”

But if you narrate…

“Julia visited her friend, and she looked exhausted”

then you are telling and not showing, and you hurt the story-telling

So, in characters voice, what they say and their thoughts, stay true, adverbs and all, but when you narrate though, and this is valid ALSO in 1st person narration, when the character is not ‘talking’ or ‘thinking’, then the writer has to…narrate. And narration is killed by the overuse of adverbs, and by the ‘telling’ without ‘showing.’ And to add a witty comment, why are we striving to achieve a good story-telling when, while writing the story, we strive to show and not tell? We shall call it good story-showing

In the example above, ‘she looked exhausted’, should be replaced by  details in the description of how the character looks, what can the writer show so that the reader would think, ‘boy, she looks exhausted’ ?

Just a quick try:

“Her hair was all over the place, one of the buttons in her blouse was undone and she had a dark shadow under her eyes no makeup could hide; the result of another sleepless night.”

Would you say the person above is exhausted and better the message than simply reading “she looked exhausted” ? I think so, and it triggers the reader’s imagination and make the reader part of the story. Another problem with telling is that it suggests impressions and feelings to the reader rather than having the reader come to those conclusions by his immersion in the story without ‘being told’.

When you are describing,

A shape, or sound, or tint; Don’t state the matter plainly, But put it in a hint; And learn to look at all things, With a sort of mental squint. ~Charles Lutwidge Dodgson (Lewis Carroll)

Nicely put by Lewis Carrol. When writers fill all  details and leave nothing to readers’ imagination, they’re patronizing them and keep them at a distance with respect to the story. Writing has a lot to do with being able not to describe everything and let the readers see everything in their mind. Images have to pop out of the page, telling keep them as mere black signs on a white surface. I’d even go to say that good writing doesn’t even show everything. It is an art to find things to keep hidden for the readers to discover within themselves.

‘Show, do not tell’, is related to the Resist the Urge to Explain. When writers don’t have a clear vision of what they are communicating to the readers, the tendency is to explain, to tell the readers what they should see and feel. A tell sign is long descriptions of things that should be obvious—as they are in the writer’s mind—but fear obscures the judgment, and the writer believes readers need more information in order to ‘get it’. Not so!

Besides, readers’ imagination needs to be titillated, so to arouse their lust for the story. An excellent book by William Styron “Shod, Don’t Tell” gives examples of telling and shows you how to show.

“’Tis the good reader that makes the good book; in every book he finds passages which seem to be confidences or sides hidden from all else and unmistakably meant for his ear; the profit of books is according to the sensibility of the reader; the profound thought or passion sleeps as in a mine, until it is discovered by an equal mind and heart.”  ~Ralph Waldo Emerson

Show the mine, lead the readers into its tunnels, and let them discover the jewels.

So, can you tell me what the above show suggest in your mind and comment with all of us?

http://www.orangeberrybooktours.com/wp-content/uploads/2013/10/Once-Humans.jpg

Buy Now @ Amazon & Smashwords

Genre – Science Fiction

Rating – PG-13

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Website http://massimomarinoauthor.com

Whitley & Austin, Where Truth and Fiction Meet by Parker Paige @parkerpaige86

Episode 1
November 25
It was strange how much had changed since Charlie Weiss turned thirty, and not for the best, but for the absolute worst. At eight o'clock, Friday morning, the end of the workweek, or perhaps the end of the saga, Charlie sat on the crowded 135 Bus as she headed to work. She reminisced about how her good intentions had brought her to this place, this place of melancholy, embarrassment and shame. So much she would have liked to turn back the hands of time, but how could she? What was done, was simply just that. Done.
Charlie peered through the fogged window and could barely tell how much longer before she reached the office building where she worked. She quickly returned her attention to the paperback she was reading, which seemed to speak to her as she flipped to the chapter, Surrender to the Fact That Life Isn't Fair.
Truer words were never more poignant in black and white.
Life was not fair.
In just a three-week period, so much had happened, and so many people were involved, and Charlie was the sole cause of it all.
As the bus traveled across the LaSalle Street Bridge, an eerie police siren rang in her ears, which always sent a frost through her. Even as a little girl, loud noises, such as sirens, horns and whistles, startled her. In preparing to exit the bus, she finished reading the last sentence of the chapter, closed the book and returned it to her worn out cotton bag, inscribed with her firm's initials, W&A, which stood for Whitley & Austin.
Her exit was approaching, but the bus stopped moving in the midst of a monstrous traffic jam, bringing morning drivers to a halt. On the corner of LaSalle and Lake Street, a clump of people surrounded the office building where she worked. She studied the female traffic cop as she rerouted and directed vehicles onto Wacker Drive. Charlie had not seen this many police cars since the last action movie she viewed on cable. The bright blue and white flashing lights seemed almost hypnotic.
In awe, Charlie absorbed the chaos on LaSalle Street, as two police officers carried a body bag from the office building. She could only imagine the identity of the unfortunate soul. She dreaded the possibility that it could be someone from her office, or worse yet, someone she knew personally.
Finally, in motion again, the bus made it to the corner and made an abrupt stop. She squeezed past the two overweight women who stood near the rear door and exited along with four other passengers. Upon reaching the street, a disturbing sensation came over her as the autumn air brushed against her face.
Could this turmoil have anything to do with her?
Paranoia set in.
Although many companies, corporations, and firms occupied her office building of more than sixty floors, she couldn't help but worry that her firm was the target of this disorder. Charlie raised the collar of her unbuttoned wool coat and stuffed her hands into her pockets as she waited at the corner for the light to turn green. Normally, autumn was her favorite season. It was one of the things she loved about Chicago, its changing seasons. But today was frigid and dismal, more like a reflection of what she felt inside.
With her hair pulled back into a ponytail away from her pale skin, Charlie stood just under six-feet tall, and her long slender legs made her appear much taller and much thinner. She had been a redhead for all of three weeks and enjoyed every minute of its glory until last night.
As she reached the other side of the street, she glimpsed inside the paramedic vehicle, but there was nothing to see. Her imagination was in disarray as she whisked past the curious spectators. All she could think about was the night before, how she had made a fool of herself. She had left things in an uproar, and that same uproar seemed to have come to haunt her this morning. She tried to pause the disturbing thoughts, at least until she gathered more information. This, after all, could have nothing to do with her. She inhaled a deep breath and hurried inside. Just as she came through the revolving doors, a police officer stopped her. "Excuse me, ma'am," he said.
Charlie felt her dimpled cheeks bruising fast.
"Do you work in this building?"
Her heart raced as she wondered why he singled her out. Then it dawned on her that he was probably questioning everyone who entered the building.
"Yes," she said softly.
"And your name?"
"Charlie."
"Last name?"
"Weiss."
Her eyes followed his pen as he jotted down her name on his tiny note pad. "What company are you with?" he asked her.
This abrupt manner of questioning evoked mild sensations of guilt, which shifted through her at an increasing pace. She swallowed hard, shifted her eyes left, then right, to see who was watching, then returned her attention to the police officer and answered his question. "Whitley & Austin."
As Charlie observed him writing down the information, her coworkers, Bruce Colby and Camina Givens, came to mind. They were the last two people she saw before she left the night before.
Something had happened to one of them. She knew it, just as surely as the breath exhaled from her mouth.
Charlie gazed at the police officer, expecting him to ask her another question, then. "You can go," he said.
"It's okay?" Charlie asked with a sense of relief.
"You can go on up."
Tempted to ask about the commotion, her fear of looking suspicious prevented her from doing so. As she headed towards the bank of elevators that serviced the forty-fourth floor, she glanced back and saw the police officer studying her. It was as if he suspected her of something. Their eyes met and her bag slipped from her shoulder, but quickly, she caught it in time.
Charlie began working with Whitley & Austin, one of Chicago's most prestigious law firms, two years ago. For the most part, she enjoyed her legal secretary position, being part of a team. But as she stood on the elevator, she sensed that her days with the firm were numbered. This morning's disturbance seemed to symbolize the end of something, and the beginning of something as well.
Whitley_Austin
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Genre - Romantic Suspense
Rating – PG-13
More details about the author
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What Lies Inside by J.L. Myers @BloodBoundJLM

CHAPTER ONE

My mind screamed for me to move. To fight the monster who trapped me with its arms. But my body remained paralyzed, a prisoner of flesh and bone. It wasn’t fear. I knew that much. Inside I was striking out with limbs, nails, and teeth. But any connection to actual movement was lost. My whole body felt like it was filled with cement.

Parted lips closed in on my neck. My eyes darted around, desperate to find a way out of this. Darkness stretched beyond the waning light of a naked bulb. There was a single door, then nothing but damp stone and shadow. The stink of death and decay hung thick in the air. Horror seeped through my veins.

There was nothing I could do. No way to stop this. No way to save my life.

The sound of labored breath rasped. Not my own. Not this monster’s. In the shadows it was impossible to see where it came from. Was someone watching? Fear snaked through my soul. The fear wasn’t for my own life, not really. I was afraid for someone else. But who?

Any thoughts vanished as fangs punctured my flesh. A gasp escaped my lips.

Flames bloomed from the punctures, swarming across my skin. The monster clutched my body tighter and tighter with every sickening gulp.

As the flames began to dull, my internal screams and my drive to fight faded. Without the current of blood filling my veins, violent shivers took hold of my entire body.

My body was giving up.

With shallow contractions, my heart slowed. My mind wavered as my body began to fail. The crushing pain of imminent death faded. As my eyes fluttered shut, a memory of the boy I loved floated across the backs of my eyelids. I saw his dejected expression. I felt the moment he had crushed me against his body, covering my lips with his. Then I heard the words he had spoken for the very first time. “Amelia, I love you.”

An icy tear escaped my eye. Now he would never know the truth. Never know that my feelings for him were still as irrefutable and irrevocable as ever. Never know that I would give anything just to be in his arms and feel the warmth of his kiss one last time. The realization was more agonizing than knowing my fate now, more agonizing than any lingering pain.

I love you too. The memory faded, dissipating like a cloud of smoke.

The room began to blur and spin. Unable to blink, my eyes stared up at the dusty light bulb. Blood loss pressed in on me. I was so deathly cold. The edge of my vision turned black, light being eaten away by a stain like blotted ink. Then empty darkness took hold.

This is it, I thought. I’m dying.

~

What Lies Inside

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Genre – YA Paranormal Romance

Rating – PG-13+

More details about the author and the book

Connect with  Jessica Myers on Facebook & Twitter

Website http://bloodboundnovels.com

Friday, November 1, 2013

#Free – The Mummifier’s Daughter by Nathaniel Burns @burns_writer

The Mummifier’s Daughter by Nathaniel Burns
Genre – Historical Fiction
Rating - G
3.6 (63 reviews)
Free until 5th November 2013
Ancient Egypt, 1233 BC
This is Young Neti-Kerty‘s dream: To follow in her father’s footsteps and become the first femalemummifier in Thebes.
Shabaka, the secretive Prefect, the Pharaoh’s special envoy charged with
combating crime in the capital of the Pharaoh’s empire, also often makes use of Neti Kerty’s special talents. With her powers of
deduction and knowledge of the dead, she has already helped solve many crimes.
But then the unimaginable happens. Her parents are cruelly murdered, and Neti-Kerty’s small, idyllic world shatters. Together
with Shabaka the Prefect, she embarks on the search for her parents‘ murderer. Surviving
many shared adventures, they stumble upon a monstrous conspiracy...
The Mummifier's Daughter carries us back to a land steeped in gods, god-kings, ritual and magic. It paints for the reader a
detailed picture of Pharaonic Egypt in all its shadowed glory. Faithfully recreating one of
the most remarkable eras in Egypt’s history, bestselling author Nathaniel Burns weaves a shudderingly ominous tale of ancient
Egypt’s mysteries with a cast of characters the modern reader will recognize even
though millenia have passed.
So light up the incense, sit close to the light and draw back the curtains on the shadowed past with this
gripping tale of
love and intrigue among the living and the dead in one of history’s most intriguing civilizations.

Family Drama 3-in-1 Box Set by Jessica Bell @MsBessieBell

JessicaBell
STRING BRIDGE:
Rewind.
Melody loves to play guitar. She almost becomes a rock star. But then she falls in love with Alex and gives birth to her daughter, Tessa.
Fast forward.
Melody loves her daughter and her husband, the music promoter. Her guitar sits dusty in the corner of her bedroom.
Skip.
Melody can't bear it any longer and plots a return to the stage, and the person she used to be. But the obstacles she faces along the way--are nothing--compared to the tragedy that awaits.
Pause.
Her desire to have an affair? Well, Button Boy is quite charming ...
THE BOOK:
This book is not The Book. The Book is in this book. And The Book in this book is both the goodie and the baddie.
Bonnie is five. She wants to bury The Book because it is a demon that should go to hell. Penny, Bonnie’s mother, does bury The Book, but every day she digs it up and writes in it. John, Bonnie’s father, doesn’t live with them anymore. But he still likes to write in it from time to time. Ted, Bonnie’s stepfather, would like to write in The Book, but Penny won’t allow it.
To Bonnie, The Book is sadness.
To Penny, The Book is liberation.
To John, The Book is forgiveness.
To Ted, The Book is envy.
But The Book in this book isn’t what it seems at all.
If there was one thing in this world you wished you could hold in your hand, what would it be? The world bets it would be The Book.
BITTER LIKE ORANGE PEEL:
Six women. One man. Seven secrets. One could ruin them all.
Kit is a twenty-five-year-old archaeology undergrad, who doesn’t like to get her hands dirty. Life seems purposeless. But if she could track down her father, Roger, maybe her perspective would change.
The only problem—Roger is as rotten as the decomposing oranges in her back yard according to the women in her life: Ailish, her mother—an English literature professor who communicates in quotes and clichés, and who still hasn’t learned how to express emotion on her face; Ivy, her half-sister—a depressed archaeologist, with a slight case of nymphomania who fled to America after a divorce to become a waitress; and Eleanor, Ivy’s mother—a pediatric surgeon who embellishes her feelings with medical jargon, and named her daughter after "Intravenous."
Against all three women’s wishes, Kit decides to find Roger.
Enter a sister Kit never knew about.
But everyone else did.
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Genre - Contemporary Women's Fiction
Rating – PG-13
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Layce Boswell – Beware the Procrastination Demons @markdmajor

Beware the Procrastination Demons by Layce Boswell

Procrastination is something that anyone battles with, even when certain tasks are enjoyable, and it is easy to fall prey to some of the procrastination demons. To avoid some of these demons, it is necessary to look at what they are as well as where they originate from in order to stay on task while working on projects. By identifying these demons, one’s workflow can be steady and remain productive throughout the work day.

One feeding force of procrastination , and laziness in general, is fear. Things such as fear of failure, ridicule, incompetence, and even fear of a seemingly never-ending task can cause any individual to seek outlets that avoid facing these subconscious fears. In order to work through these fears, one must identify them and then choose to work despite these fears. Although facing these fears can seem discouraging, choosing to see past the fears and focus on positive outcomes can help an individual focus on the steps that need to be done in order for success to be achieved.

Another component of procrastination stems from the very environment one chooses to work; with recent technology, and infinite knowledge and stimulation at everyone’s fingertips, staying focused on any one thing has proven to be difficult. However, to evade these situations of diversion, an individual can work in environments that inspire and cultivate production as opposed to distraction.

Infinitesimal Abundance of Color

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Genre – Juvenile Fiction/Bedtime and Dreams

Rating – G

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